| Introduction
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3 |
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| The Importance of Being Gender 'Stable': Masculinity and Feminine Empowerment in Le Roman de Silence |
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7 |
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| The Third Path: Alternative Sex, Alternative Gender in Le Roman de Silence |
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35 |
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| Lesbian Desire in the Old French Roman de Silence |
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47 |
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| The Specular Image of the Gender-Neutral Name: Naming Silence in Le Roman de Silence |
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63 |
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| The Modern Editor and Medieval 'Misogyny': Text Editing and Le Roman de Silence |
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78 |
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| The Non-Existent Knight: Adventure in Le Roman de Silence |
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87 |
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| Le Roman de Silence: Allegory in Ruin or Womb of Irony? |
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111 |
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| Works Cited |
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124 |
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129 |
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| Reviews |
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| James P. Carley, Glastonbury Abbey. |
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137 |
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| Brigitte Cazelles, The Unholy Grail: A Social Reading of Chrétien de Troye's 'Conte du Graal.' |
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138 |
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Review ] |
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| Mary Vandegrift Mills, The Pilgrimage Motif in the Works of the Medieval German Author Hartmann von Aue. |
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140 |
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| Katherine G. Maccornack, Mental Representations Theory in Old French Allegory from the Twelfth and Thirteenth Centuries. |
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142 |
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| Ross G. Arthur and Noel L. Corbett, The Knight of the Two Swords:
A Thirteenth-Century Arthurian Romance. |
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143 |
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| Norris J. Lacy, ed., Text and Intertext in Medieval Arthurian Literature |
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145 |
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| Derek Brewer, ed., Medieval Comic Tales |
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146 |
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| Richard J. Utz, ed., Literary Nominalism and the Theory of Rereading Late Medieval Texts: A New Research Paradigm |
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147 |
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| Rebecca A. Umland and Samuel J. Umland, The Use of the Arthurian Legend in Hollywood Film: From Connecticut Yankees to Fisher Kings |
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148 |
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