| Marie de France’s Chievrefoil, Hazel Rods, and
Ogam Letters Coll and Uillenn |
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3 |
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| Violence, Saracens, and English Identity in Of Arthur
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16 |
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En-graving Chivalry: tombs, Burials, and the Ideology
of Knighthood
in Malory’s Tale of King Arthur
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37 |
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| Prison and Knightly identity in Sir Thomas Malory’s
Morte Darthur |
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54 |
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| The Round Table |
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Three Notes by Helmut Nickel:
Who was Eslit?
What Kind of Aminal was the Questing Beast?
Black against White: What Color was King Arthur’s Horse? |
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64 |
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| ‘God bless the child that has his own’: The History of the
IAS Vinaver Trust |
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73 |
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News from the North American Branch
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78 |
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| Reviews |
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Ann W. Astell, Joan of Arc and Sacrificial Authorship
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83 |
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| Keith Busby, Codex and Context: Reading Old French Verse
Narrative in Manuscript |
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85 |
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| Jeffrey Jerome Cohen, Medieval Identity Machines |
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88 |
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Carolyn Dinshaw and David Wallace, eds., The Cambridge
Companion to
Medieval Women’s Writing
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89 |
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Juliette Dor, ed., Conjointure arthurienne: Actes
de la ‘Classe d’Excellence’ de la Chaire Frencqui 1998
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91 |
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Mary C. Erler, Women, Reading, and Piety in Late Medieval
England
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92 |
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| Phillipa Hardman, ed., The Matter of Identity in Medieval
Romance |
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93 |
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| Jacqueline Jenkins and Katherine J. Lewis, eds., St.
Katherine of Alexandria,
Texts and Contexts in Western Medieval Europe |
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95 |
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| Malory’s Le Morte Darthur: Anatomy
of a Legend; Understanding Sir Gawain
and the Green Knight; The Legend of Arthur in Literature and Popular Culture |
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96 |
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Peter Meister, ed., Arthurian Literature and Christianity:
Notes from the
Twentieth Century
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99 |
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| Barbara Newman, God and the Goddesses: Vision, Poetry,
and Belief in
the Middle Ages |
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100 |
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O.J. Padel, Arthur in Medieval Welsh Literature
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102 |
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Liam O. Purdon, The Wakefield Master’s Dramatic
Art: A Drama of
Spiritual Understanding
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104 |
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Philipp W. Rosemann, Understanding Scholastic Thought
with Foucault
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106 |
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Alexandra Sterling-Hillenbrand, Topographies of
Gender in Middle High
German Arthurian Romances
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107 |
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Anthony Winterbourne, A Pagan Spoiled: Sex and Character
in
Wagner’s Parsifal
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109 |
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