| Introduction
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3 |
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| From Wolfram to Wagner and Beyond: Sexuality, Freedom, and the Avoidance of Tragedy in Parsifal |
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11 |
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| Richard Wagner's Arthurian Sources, Jessie L. Weston, and T.S. Eliot's The Waste Land |
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30 |
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| Wagner's Musical Quest: The ‘Grail’ in Parsifal |
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54 |
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| In the Wake of the White Swan |
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67 |
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| Richard Wagner's Creative Processes: Parsifal |
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83 |
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| Brangäne: Isolde's Alter Ego |
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93 |
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108 |
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| Reviews |
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| Michelle P. Brown and Patricia Lovett, The Historical Source Book for Scribes |
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112 |
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| Siân Echard, Arthurian Narrative in the Latin Tradition |
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113 |
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| John Gohorry, A Life of Merlin |
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114 |
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Thomas Hahn, ed., Sir Gawain: Eleven Romances and Tales
The Weddynge of Sir Gawen and Dame Ragnell Performed by Linda Marie Zaerr |
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116 |
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| John H. Hill, The Anglo-Saxon Warrior Ethic: Reconstructing Lordship in Early English Literature |
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118 |
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| Clemence Housman, The Life of Sir Aglovale de Galis |
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120 |
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| Dhira B. Mahoney, ed., The Grail: A Casebook. Arthurian Characters and Themes Vol. 5 |
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121 |
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| Roger Pensom, Aucassin et Nicolete: The Poetry of Gender and Growing up in the French Middle Ages |
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123 |
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Adam Roberts, Silk and Potatoes: Contemporary Arthurian Fantasy
Bert Olton, Arthurian Legends on Film and Television |
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125 |
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| Barbara Rosenwein, Negotiating Space: Power, Restraint, and Privileges of Immunity in Early Medieval Europe |
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128 |
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| Sylvia Tomasch and Sealy Gilles, Text and Territory: Geographical Imagination in the European Middle Ages |
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130 |
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| Edward Wheatley, Mastering Aesop: Medieval Education, Chaucer, and His Followers |
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132 |
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